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https://www.coleccionbbva.com/es/autor/agrasot-y-juan-joaquin/
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autor
14644
Joaquín Agrasot y Juan
(Orihuela, Alicante 1836 – Valencia, 1919)
Author's artworks
19th-20th Century Spanish
After taking art classes in Orihuela, in 1856 Agrasot won a scholarship from the Provincial Council of Alicante to continue his development at the San Carlos School of Fine Arts in Valencia, where he was a pupil of Francisco Martínez Yago.
Thanks to a stipend he received from the Provincial Council of Alicante, he was able to travel to Rome, where he became acquainted with the Catalan painters working within the
Nazarene Movement
This movement was championed by a number of supporters of the aesthetic adopted by a group of German
Romanticism
A cultural movement born in Germany and the United Kingdom in the late-eighteenth century, as a reaction against the Enlightenment. It extolled the expression of feelings and the search for personal freedom. It spread throughout Europe, with different manifestations depending on the country. In painting, Romanticism reached its peak in France between 1820 and 1850, replacing Neoclassicism. It main purpose was to oppose the strictures of academic painting, departing from the Classicist tradition grounded in a set of strict rules. Instead it advocated a more subjective and original style of painting. Its main formal features are the use of marked contrasts of light, the preponderance of colour over drawing and the use of impetuous and spontaneous brushwork to increase the dramatic effect. Its greatest exponents were: Caspar David Friedrich (1774-1840) in Germany; John Constable (1776-1837) and J. M. W. Turner (1775-1851) in the UK; and Théodore Géricault (1791-1824) and Eugène Delacroix (1798-1863) in France.
painters known as the Nazarenes, who defended the integrity and spirituality of Medieval Christian art. During the first third of the nineteenth century, many Catalan painters were attracted by the doctrine of this group, and its language soon took hold as the official academic style at La Lonja School of Fine Arts.
who were also in Rome at the same time and had a big influence on his beginnings. Nevertheless, his relationship with Eduardo Rosales and Mariano Fortuny, with whom he formed a strong friendship, proved to be the decisive influence on his future style and career.
After the death of Fortuny, he returned to Spain and settled down in Valencia, where he produced his most significant body of work. In 1894 he helped to found the city’s Círculo de Bellas Artes. He was appointed an academician to the San Carlos Academy of Fine Arts in Valencia in 1898 and later to the San Fernando Academy of Fine Arts in Madrid.
His work was chosen for the National Expositions of Fine Arts in Madrid in 1864 and 1867, where he won the Third Medal and the Second Medal, respectively, and in the Exposition of Barcelona in 1866, with an oil on canvas painting which was acquired for the city’s Museo de Arte Moderno.