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https://www.coleccionbbva.com/es/autor/arias-francisco/
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autor
14464
Francisco Arias
(Madrid, 1911 – 1977)
Author's artworks
20
th
Century Spanish
Arias began his training at the School of Arts and Crafts of Madrid, which he left to take up painting at the Museo de Reproducciones Artísticas. In 1923 he enrolled at the San Fernando School of Fine Arts, an institution that functioned as a meeting place for the group of young artists who, following in the wake of the
School of Vallecas
(1927-1936) founded in 1927 by Benjamín Palencia and Alberto Sánchez with the purpose of renewing Spanish art in line with what was happening elsewhere in Europe. Landscape became the main subject matter of this school, albeit a highly sober landscape influenced by Hispanic primitivism, fauvist colour, a surrealist approach and cubist order. The starting point was the arid, barren land on the outskirts of Madrid in the direction of Toledo, stripped of any superfluous object and worked with economic brushwork and a palette of earthy tones. This take on landscape straddled tradition and modernism. The School of Vallecas disbanded with the outbreak of the Civil War, although it was the only school to rise from its ashes, reborn in the Second School of Vallecas (1939-1942).
, would found the so-called
School of Madrid
or Young School of Madrid, is a term coined by the art dealer and bookseller Karl Buchholz and the art critic Manuel Sánchez Camargo to name the group of Spanish painters—many of them from the Second
School of Vallecas
(1927-1936) founded in 1927 by Benjamín Palencia and Alberto Sánchez with the purpose of renewing Spanish art in line with what was happening elsewhere in Europe. Landscape became the main subject matter of this school, albeit a highly sober landscape influenced by Hispanic primitivism, fauvist colour, a surrealist approach and cubist order. The starting point was the arid, barren land on the outskirts of Madrid in the direction of Toledo, stripped of any superfluous object and worked with economic brushwork and a palette of earthy tones. This take on landscape straddled tradition and modernism. The School of Vallecas disbanded with the outbreak of the Civil War, although it was the only school to rise from its ashes, reborn in the Second School of Vallecas (1939-1942).
—who took part in the group exhibition held in 1945 at Galería Buchholz in Madrid. This group has sometimes been considered a mere commercial project driven by art critics and gallery owners with a view to creating a market for landscape painting.
with the aim of addressing the Castilian landscape with a more innovative vocabulary. Arias’ style is indebted to Pancho Cossío, with simplified figurative compositions executed in soft colours and rendered with transparencies. In 1952 he won the National Painting Prize.