View Menu
Colección
Favoritos
eng
esp
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
https://www.coleccionbbva.com/es/autor/baixeras-verdaguer-dionisio/
Volver
autor
14626
Dionís Baixeras i Verdaguer
(Barcelona, 1862 – 1943)
Author's artworks
19th-20th Century Spanish
A Barcelona-born painter and drawing artist, Baixeras i Verdaguer began studying at an early age at the
La Lonja School of Fine Arts
Founded in 1775 by the Junta de Comercio of Barcelona as a “free school of design”, a training centre for the applied arts. The school got its name from its location in the Lonja de Mar Palace. Its curricula evolved throughout the 1800s with the incorporation of new subjects and the gradual separation of Arts and Crafts and Fine Arts into distinct departments. In 1940 the School of Fine Arts changed sites and in 1978 was turned into a Faculty of Fine Arts. The School of Arts and Crafts also moved to another headquarters in 1967, although it continued to be known as La Lonja School. In the mid-nineteenth century the same building housed the Provincial School of Fine Art, later renamed in 1930 as the San Jorge Royal Academy of Fine Arts (which kept its headquarters in La Lonja). The Academy set the official guidelines for art in Catalonia, championing a decidedly academicist approach.
, where he was a pupil of great Catalan painters like Agustín Rigalt (1836-1899), Ramón Martí Alsina (1826-1894) and Antoni Caba (1838-1907). He spent four years in Paris, where he became familiar with the work of Jean-François Millet (1814-1875), whose realist and naturalist painting had a decisive influence on his practice.
He was a founding member of the San Lucas Art Circle, an association set up by several Catalan Modernista artists including Joan Llimona (1860-1926), Enric Sagnier (1858-1931) and Antoni Utrillo (1867-1944) who, in opposition to the progressive postulates of the Barcelona Art Circle, championed an art practice in tune with Catholic principles and morals.
In 1882, he took part in a competition to decorate the main assembly hall at the University of Barcelona. Three of his drawings were awarded and he was then commissioned with the project. In the late 1880s he took part with Joan Llimona and Alexandre de Riquer (1856-1920) in the decoration of the Hotel Internacional for the Barcelona Universal Exposition.
His work was often exhibited at Sala Parés, Barcelona, and in group exhibitions like the Paris Universal Exposition or the Buenos Aires International Exposition.