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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/barcelo-miquel/
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autor
14467
Miquel Barceló
(Mallorca, 1957)
Author's artworks
20th - 21st Century Spanish
Thanks to his mother, who was an amateur painter, Barceló was introduced to art at a very early age and he is now widely regarded as one of the most seminal European artists of his generation.
He trained at the School of Arts and Crafts in Palma de Mallorca until 1973, and later attended the Sant Jordi School of Fine Arts in Barcelona, although he left without graduating. In 1981 he took part at the Sao Paulo Biennial and in 1982 at documenta VII in Kassel. Since then his reputation grew rapidly and he began to be invited to take part in major international exhibitions.
Initially grounded in conceptual and abstract principles, in the late 1970s his work became influenced by a brand of
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
akin to Jackson Pollock (1912-1956) as well as by
Art Brut
Jean Dubuffet acuñó este término para referirse a la práctica artística pura, alejada de los condicionantes derivados de lo aprendido o de la sociedad.
and by Spanish artists like Joan Miró (1899-1989) or Antoni Tàpies (1923-2012). In the 1980s Barceló began to paint still lifes in earthy and grey tones, until his first trip to Mali in 1988. There, in the middle of the desert, Barceló found a source of inspiration that led him to spend long periods in that country. The palette of his work then changed to white, a reflection of the desert light, and he created works laden with matter and with relief.
To this day Barceló still experiments with materials. He has presented books like
Cuadernos de África
or
Cuadernos del Himalaya
, and creates sculptures, many of them inspired by African fauna.
By the late 1980s Barceló was already a hugely successful artist, winning the National Visual Arts Prize in 1986. Later, he was granted the Prince of Asturias Award (2003) and a
honoris causa
doctorate degree from Universidad Pompeu Fabra (2012). In 1996, the Centre Georges Pompidou of Paris organised a major retrospective of his work.