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Juan Barjola
(Torre de Miguel Sesmero, Badajoz, 1919 – Madrid, 2004)
Author's artworks
20th Century. Spanish
Juan Antonio Galea Barjola was born in 1919 in a small town near Badajoz, the city he moved to in 1935 when he enrolled at its
School of Arts and Crafts
. His passage from adolescence to young adulthood was greatly affected by the Spanish Civil War, which would leave an indelible mark on his production. After the war, Barjola settled in Madrid, where he studied at La Palma art school.
His early paintings are influenced by
social concerns dealt with in naturalistic subject matters and rendered in an expressionistic style
. In the 1950s,
with the human figure already fully incorporated as a central motif
,
Barjola implemented a synthesis of
Cubism
A term coined by the French critic Louis Vauxcelles (1870-1943) to designate the art movement that appeared in France in 1907 thanks to Pablo Picasso (1881-1973) and Georges Braque (1882-1963), which brought about a definitive break with traditional painting. Widely viewed as the first avant-garde movement of the twentieth century, its main characteristic is the representation of nature through the use of two-dimensional geometric forms that fragment the composition, completely ignoring perspective. This visual and conceptual innovation meant a huge revolution and played a key role in the development of twentieth-century art.
and
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
which he would continue to practice throughout his career.
It was at this time when he began to attract a lot of attention
and, following his first solo show held in 1957 at Galería Abril, in Madrid,
his work
was regularly included in exhibitions both in Spain and internationally. He was also the recipient of a Fundación Juan March grant to further his studies abroad.
In the 1960s, Barjola presented works in many biennials and imparted lessons at the San Fernando School of Fine Arts. In this period his work became totally abstract: the figures of before dissolved and the colours blended into compositions endowed with great expressive charge. In the following decades he continued exhibiting his work profusely at galleries in Madrid, the Basque Country and Asturias.
Barjola’s practice, highly resonant in the Spanish and international art scenes,
was awarded with a number of distinctions
, including the First Medal in Painting at the 1968
National Exhibition of Fine Arts
An official annual art exhibition held in Madrid since the mid-nineteenth century which set the guidelines for Spanish academic art at the time. It was divided into five sections: painting, sculpture, engraving, architecture and decorative arts. Painting was the core section around which the whole exhibition revolved. A number of distinctions were awarded: first, second and third class medals and an honorary medal or prize, sometimes called a mention of honour. The show was one of Spain’s most important national awards, and was viewed as a key event for all artists aspiring to achieve prestige in their careers. Due to its conservative and academicist nature, it showed little inclination to accept many of the emerging movements and the most innovative works were often rejected or displayed in secondary spaces (which soon came to be known as "crime rooms").
;
the National Visual Arts Prize in 1985 and the Tomás Francisco Nieto Prize in 2001
. Several major surveys of his work have also been organised, like
Juan Barjola, exposición retrospectiva
,
held at the IVAM, Valencia, in 2006
.