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BBVA Collection Spain
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autor
14475
José Freixanes
(Pontevedra, 1953)
Author's artworks
20th-21st Century Spanish
Freixanes trained at the School of Fine Arts in Bilbao and later in Madrid, where he settled.
In the late 1970s and early 1980s, Freixanes joined the Atlántica group thanks to his friendship with his fellow painter Antón Patiño (1957).
His practice could be described as expressionistic figuration, with a notable influence of Central European artists and of
Fauvism
An art movement which developed in Paris in the early 1900s. It took its name from the word used by the critics—
fauves,
wild beasts—to define a group of artists who exhibited their works at the 1905 Salon d'Automne. By simplifying forms and using bold colours, they attempted to create highly balanced and serene works, a goal totally removed from the intention to cause outrage usually attributed to them. For many of its members Fauvism was an intermediary step in the development of their respective personal styles, as exemplified to perfection by the painter Henri Matisse (1869-1954).
. However, he has also engaged with a
matter-based painting
“matteric” or matter-based painting is a tendency within
informel art
or
art autre
and
art informel
are terms coined by the French art critic Michael Tapié to describe the non-
Geometric Abstraction
A term introduced in the 1920s to name a kind of abstract art based on scientific and mathematical principles. The main goal was to eliminate all subjectivity in favour of art based on the essence of geometric forms. Its main champions were Wassily Kandinsky (1866-1944), Kazimir Malevich (1879-1935) and Piet Mondrian (1872-1944).
that emerged in France in the 1950s, running parallel to US
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
. It was predicated on the spontaneous gesture, the use of matter, automatism and the lack of preconceived ideas.
, in which artists focused primarily on texture, obtained by using all kinds of materials, not necessarily coming from conventional art methods.
with references to Nature.
In 1995 he travelled to India, a country that left a deep impression on him and on his painting. In that sense, his work also alludes to the past and to the concept of memory.
Apart from painting, he also designs and illustrates books and from 1994 to 1996 he was a graphic collaborator in the newspaper
La Voz de Galicia
. He sat on the visual arts committee for Consello da Cultura Galega, an institution that promoted the creation of the Centro Galego de Arte Contemporánea. He currently teaches painting at the School of Fine Arts of Granada.