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Baldomero Galofré
(Reus, 1849 — Barcelona, 1902)
Author's artworks
19th Century Spanish
This Catalan landscape painter, drawing artist and illustrator began his training at the School of Fine Arts of Barcelona alongside Ramón Martí i Alsina (1826—1894). In 1866 he exhibited his work in public for the first time, specialising in everyday scenes that he would later present at expositions in Zaragoza (1868) and Barcelona (1870—1872). In 1870 Galofré moved to Madrid, where he attended the San Fernando School of Fine Arts, combining his training with work as an illustration artist for periodicals. In 1873 he spent some time in Salamanca, where a watercolour he painted obtained a silver medal.
In 1874 he won a scholarship to the Spanish Academy of Fine Arts in Rome, and remained there for over ten years. In Rome, José Tapiró (1836—1913), a friend and fellow painter also from Reus, introduced him to Mariano Fortuny (1838—1874), who would have a strong influence on Galofré’s style of painting. In Naples he met Domenico Morelli (1826—1901), who would also exert an influence in his later and brighter work.
Moving away from the strict guidelines dictated by the Academy after openly confronting its director, Casado de Alisal (1832—1886), Galofré focused his production on a more commercial painting, in which he was actively encouraged and supported by the art dealer Adolphe Goupil (1806—1893). His celebrity grew after an exhibition in Rome in 1880 and his works went on display at the
Salon de Paris
An official art exhibition organised by the Académie des Beaux-Arts in Paris and held in the French capital from 1725 onwards. The show set the patterns of the academic art of the time. In 1737 the exhibition was opened to the public and was held, at first, annually, and then biennially, in odd-numbered years. In 1748 a jury of awarded artists was introduced. In 1849 medals for the winners were presented for the first time. In 1881 the French government withdrew its official patronage of the Salon, and a group of artists founded the Société des Artistes Français to take over the running of the show. Until the late-nineteenth century it was one of the top international art events and absolutely essential for any artist who wished to earn prestige. With the passing of time, the Salon became more conservative and academicist, and unreceptive to many of the emerging movements, like Impressionism. More and more works were rejected or hung in unfavourable places. This situation upset many artists and critics, leading eventually to the creation of less strict alternative salons.
and the Royal Academy in London.
In 1884 and 1886 he exhibited at Sala Parés, Barcelona, and he never stopped travelling to Italy (Rome, Naples, Venice, Milan, Turin…). A specialist in capturing scenes from everyday life, he created a suite of drawings called
España pintoresca
(Picturesque Spain) for
La Ilustración Artística
, a weekly literature, arts and sciences magazine founded in Barcelona in 1882.