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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/genoves-juan/
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autor
14476
Juan Genovés
(Valencia, 1930 - Madrid, 2020)
Author's artworks
20th-21st Century Spanish
Genovés studied in the School of Fine Arts in his hometown of Valencia. Firmly convinced of the need to create an art with a transformative power, he came into contact with various collectives in the post-war Spanish art scene of the 1950s. He joined various groups including Los Siete in 1949;
Parpalló Group
a
collective promoted by Vicente Aguilera Cerni which included artists, architects and critics from Valencia with the goal of renewing the art made in the city and connecting it with international movements. Its members included Andreu Alfaro, Eusebio Sempere, Joaquin Michavila and Salvador Soria. In 1959, the group was renewed and started publishing the magazine
Arte Vivo
, which released a total of four issues which tell an interesting history of the art of the time. The group disbanded in 1961.
in 1956; and
Hondo Group
founded in Madrid in 1961. Its principles were based on figurative painting, with a social and political engagement and a distinctly expressionist approach. It opposed abstraction and often used allegorical elements culled from reality. It founders—Genovés, Orellana, Paredes Jardiel and Mignoni—exhibited their works collectively at Galería Neblí in Madrid. José Vento and Carlos Sansegundo joined the group for the second presentation of their paintings at Sociedad de Amigos de Arte in 1963. The Hondo Group disbanded one year later.
in 1960. His practice underwent a shift while working with this last-named group, as he began to engage with figurative positions and to develop a provocative expressionist painting at odds with Informalismo, the otherwise all-pervasive movement of the time.
After a brief painterly crisis, his work in the 1970s embarked on social and political critique and began to address the subject matter of the individual, initially in
collage
A technique in the visual arts consisting of gluing materials likes photographs, bits of wood, leather, newspapers and magazine clippings or other objects to a piece of paper, canvas, or other surface. Collage became widely popular in the early twentieth century thanks to Cubist painters, and it is still in use today as yet another artistic medium.
made with the use of various illustrations culled from the mass media, flat inks and fixed images.
At the beginning of the 1980s, he started out on a new period in which he focused more on cityscapes and reduced his palette to a range of grey, blue and ochre. More recently, his work has shifted again, this time towards research into the static movement of painting.