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https://www.coleccionbbva.com/es/autor/gimeno-arasa-francesc/
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Francesc Gimeno i Arasa
(Tortosa, Tarragona, 1858 – Barcelona, 1927)
Author's artworks
19th-20th Century Spanish
Born in a humble family, Gimeno i Arasa started as a self-taught artist working in Manuel Marqués’s decorative painting workshop from 1872 through 1880. He later moved to Barcelona to further his training, a period when he devoted himself mostly to landscape painting.
In the mid-1880s he completed his education at the San Fernando Royal School of Fine Arts in Madrid. There he trained under Carlos de Haes (1826-1898), who stimulated his interest in a naturalist style that would become the basis of his language as a painter.
In 1887 the painter returned to Barcelona for good. There he took part in the city’s official exhibitions but did not achieve the recognition he hoped for. In the 1890s his style evolved as his landscapes became more dynamic and he started to be more concerned with the depiction of atmospheric effects and changes of light.
In 1904 Gimeno was given an honorary mention at the
National Exhibition of Fine Arts
An official annual art exhibition held in Madrid since the mid-nineteenth century which set the guidelines for Spanish academic art at the time. It was divided into five sections: painting, sculpture, engraving, architecture and decorative arts. Painting was the core section around which the whole exhibition revolved. A number of distinctions were awarded: first, second and third class medals and an honorary medal or prize, sometimes called a mention of honour. The show was one of Spain’s most important national awards, and was viewed as a key event for all artists aspiring to achieve prestige in their careers. Due to its conservative and academicist nature, it showed little inclination to accept many of the emerging movements and the most innovative works were often rejected or displayed in secondary spaces (which soon came to be known as "crime rooms").
in Madrid. However, he had to wait until 1915 to enjoy the well-deserved recognition which came with his first solo show at Sala Dalmau. Although the exhibition was not a resounding success, it brought him commissions that helped him to establish a faithful clientele.
From that moment onwards, he went on several landscape expeditions around the Costa Brava and Mallorca. His prestige and his exhibition activity increased and his works started to be acclaimed by critics and collectors alike. At an international level it is worth mentioning his participation in the 1920
Salon d’Automne
An annual exhibition first held in Paris in 1903, the Autumn Salon was created under the initiative of the Belgian architect and art critic Frantz Jourdain (1847-1935), with the collaboration of artists including, among others, Henri Matisse (1869-1954) and Pierre Bonnard (1867-1947). It had two main goals, namely, to support and promote young artists, and to showcase the trends of the time to the wider public. The choice of autumn to hold the show was strategic as it allowed artists to present paintings created
en plein air
during the summer, and also, and very especially, because it established a difference with the two major official salons which took place in spring. One of the earliest successes was the exhibition of the 1905 Autumn Salon, that saw the birth of
Fauvism
An art movement which developed in Paris in the early 1900s. It took its name from the word used by the critics—
fauves,
wild beasts—to define a group of artists who exhibited their works at the 1905 Salon d'Automne. By simplifying forms and using bold colours, they attempted to create highly balanced and serene works, a goal totally removed from the intention to cause outrage usually attributed to them. For many of its members Fauvism was an intermediary step in the development of their respective personal styles, as exemplified to perfection by the painter Henri Matisse (1869-1954).
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and at the Exhibition of Catalan Art held in Lisbon in 1921.
Gimeno Arasa died on 22 November 1927 in Barcelona. One month later, Sala Parés opened a retrospective exhibition of his work which achieved the success the painter had never enjoyed while alive.