View Menu
Colección
Favoritos
eng
esp
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
https://www.coleccionbbva.com/es/autor/serna-ismael-gonzalez-de-la/
Volver
autor
14521
Ismael González de la Serna
(Guadix, Granada, 1898 – París 1968)
Author's artworks
20
th
Century Spanish
González de la Serna began studying art at the early age of nine at the Academy of Fine Arts in Granada, before continuing his training at the San Fernando School of Fine Arts of Madrid. During his time in Madrid he had several exhibitions, including his first solo show at Ateneo de Madrid in 1917.
With an inquisitive and restless spirit, always in search of new modes of expression, his painting shifted between Impressionism,
Cubism
A term coined by the French critic Louis Vauxcelles (1870-1943) to designate the art movement that appeared in France in 1907 thanks to Pablo Picasso (1881-1973) and Georges Braque (1882-1963), which brought about a definitive break with traditional painting. Widely viewed as the first avant-garde movement of the twentieth century, its main characteristic is the representation of nature through the use of two-dimensional geometric forms that fragment the composition, completely ignoring perspective. This visual and conceptual innovation meant a huge revolution and played a key role in the development of twentieth-century art.
—although never reaching abstraction—and a figuration veering towards Expressionism, imbued with an underlying poetic sense influenced by his close connection with the authors of the Generation of ’27. An example of these bonds is the fact that he illustrated
Impresiones y paisajes
, the first book published by Federico García Lorca, a childhood friend.
He returned to Andalusia in 1918 and remained there until 1921, when he moved to Paris. There he was represented by Galerie Paul Guillaume and was a member of the
School of Paris
a wide-ranging loose group of French and foreign artists active in Paris in the period between the two world wars (1919-1939). They prospered in a favourable climate for art that permitted the coexistence of different avant-garde movements. With the outbreak of the Civil War, the Spanish artists split into two well differentiated groups: one including Picasso, Miró, Juan Gris, Blanchard and Julio González, and another made up, among others, by Clavé, Bores and Ucelay.
.
His work has been exhibited in galleries in Brussels, Berlin, Prague, Mexico, Denmark, London and New York. In 1963 cerebral palsy made it impossible for him to continue painting, and he died five years later.