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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/iglesias-cristina/
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autor
14499
Cristina Iglesias
(San Sebastian, 1956)
Author's artworks
20th-21st Century Spanish
After completing a degree in Chemistry in San Sebastian, in 1980 Iglesias moved to London to enrol at the Chelsea School of Art, where she studied sculpture and ceramics until 1982. In that period her work gradually moved towards more open installations, leaving aside the
Classicism
A movement in art, literature and music which advocated a return to the harmony, simplicity and balance that defined Classical Antiquity. In the arts, it emerged with the Renaissance, when it became the new aesthetic canon in the quest for perfection, and was the prevailing movement in the eighteenth and nineteenth centuries. With the appearance of
Romanticism
A cultural movement born in Germany and the United Kingdom in the late-eighteenth century, as a reaction against the Enlightenment. It extolled the expression of feelings and the search for personal freedom. It spread throughout Europe, with different manifestations depending on the country. In painting, Romanticism reached its peak in France between 1820 and 1850, replacing Neoclassicism. It main purpose was to oppose the strictures of academic painting, departing from the Classicist tradition grounded in a set of strict rules. Instead it advocated a more subjective and original style of painting. Its main formal features are the use of marked contrasts of light, the preponderance of colour over drawing and the use of impetuous and spontaneous brushwork to increase the dramatic effect. Its greatest exponents were: Caspar David Friedrich (1774-1840) in Germany; John Constable (1776-1837) and J. M. W. Turner (1775-1851) in the UK; and Théodore Géricault (1791-1824) and Eugène Delacroix (1798-1863) in France.
, it entered into decline until it gradually lost all traction with the advent of the early avant-gardes in the twentieth century.
that defined her initial phase. In London she met the fellow sculptor Juan Muñoz (1953-2001), who would become her husband.
In 1995 she was appointed Professor of Sculpture at the Akademie der Bildenden Künste in Munich. In 1999 Iglesias was distinguished with Spain’s National Visual Arts Prize. A sculpture and printmaker, she is one of the most successful Spanish artists over the last few decades.
Her work first came to public attention in the early 1980s, when it was selected for an exhibition at Fundación La Caixa. Meanwhile, in 1984 she presented her first solo shows: at Galería Juana de Aizpuru in Madrid; at Casa del Bocage in Setubal; and at Galeria Cósmicos in Lisbon. Two years later Iglesias represented Spain at the Venice Biennale. From that moment onwards, her output has been constant and recognised by museums, galleries and collections worldwide. She first took part in a museum group show in 1985, at the Stedelijk Van Abbemuseum Eindhoven. Since then the artist has exhibited in some of the most important contemporary art museums in the world. The exhibition organised by the Solomon R. Guggenheim Museum in New York in 1997 also added to her growing celebrity.
In 2001 she was presented with the Visual Arts Prize at the 3rd Observatorio D’Achtall Awards. Six years later, breaking a prolonged period of silence, she made a comeback at Galería Pepe Cobo and Galería Elba Benítez. That same year she created the door-sculpture for the extension of the Prado museum in Madrid.
At the beginning of 2013 the Museo Nacional Centro de Arte Reina Sofía put in place one of the most ambitious mid-career surveys held of the artist’s work to date. In the last few years she has lived and worked in Torrelodones, near Madrid. She represented Spain at the 2000 Hannover Expo and at the Taipei Biennial 2002 and at the 2006 Santa Fe Biennial.