View Menu
Colección
Favoritos
eng
esp
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
https://www.coleccionbbva.com/es/autor/iturrino-gonzalez-francisco/
Volver
autor
14402
Francisco Iturrino González
(Santander, 1864 – Cagnes-sur-Mer, Nice, 1924)
Author's artworks
19th-20th. Spanish
Born on 10 September 1864 in Santander, his family moved to Bilbao in 1872 where the young Iturrino began his training in 1879, attending Drawing lessons in a private academy, while also learning first-hand from his uncle, the musician, poet and painter Elviro González.
In 1883 he moved to Liege (Belgium) to study Engineering. However, he soon gave up his studies to devote himself entirely to painting. In 1890 he moved to Brussels and then five years later to Paris, where he entered the studio of Gustave Moreau (1826-1898) as a pupil. There he met Henri Matisse (1869-1954), with whom he struck up a close friendship that would remain crucial throughout his career.
As from 1898, he alternated stays in Paris with sojourns in Spain, visiting Salamanca, Seville, Cordoba, Malaga and Madrid. In 1901 took part in the
Salon des Indépendants
An annual exhibition organised in Paris by the Société des Artistes Indépendants, a society formed in 1884 with the goal of showing works by all artists who claimed the independence of their art from academicism. It was created to respond to the rigid traditionalism of the Salon organised by the
Académie des Beaux-Arts
and was presented with the slogan
sans jury ni récompense
(without jury nor reward). Its founders included Odilon Redon (1840-1916), Georges Seurat (1859-1891) and Paul Signac (1863-1935). During the three decades following its inception, its annual exhibitions set the trends in modern art.
in Paris, and exhibited together with Picasso at the gallery run by Ambroise Vollard, who, from that exhibition onwards, became his dealer. One year later, he exhibited at the Société Nationale des Beaux-Arts and was included on several occasions in shows organised in Brussels by the La Libre Esthétique group.
He was also fairly active in Spain, participating in the Modern Art Expositions of Bilbao and in shows organised by the
Association of Basque Artists
the Association of Basque Artists was a select group of multidisciplinary artists from the Basque Country in the period prior to the Spanish Civil War. Founded on 29 October 1911, its mandate was to promote Basque art through exhibitions, publications, lectures and competitions. The first group exhibition was held in 1912 at the headquarters of Sociedad Filarmónica in Bilbao. Members of the association included, among others, Aurelio Arteta, Darío de Regoyos, Francisco Iturrino, Anselmo Guinea and Ignacio Zuloaga.
. In 1919 a major solo exhibition of his work was held at Círculo de Bellas Artes in Madrid, and, that same year, the International Exposition of Painting and Sculpture of Bilbao dedicated a special room to him, exhibiting forty of his works.
In 1920 he suffered the first symptoms of gangrene and had a leg amputated. As a result, in spite of the success he enjoyed at the time, his final years were marked by his precarious financial situation and very fragile health. With the help of some of his closest friends he managed to buy a house in Cagnes-sur-Mer, in southern France, where he withdrew until his demise on 20 June 1924.