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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/leiro-francisco/
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autor
14501
Francisco Leiro
(Cambados, Pontevedra, 1957)
Author's artworks
20
th
Century Spanish
After learning to work with stone at the School of Arts and Crafts of Santiago de Compostela, Leiro later moved to Madrid, where he attended Sculpture and Drawing courses at the San Fernando School of Fine Arts. He had his first solo show in 1975, at Sociedad Cultural in Cambados, his hometown.
In the late 1980s Leiro moved to New York and in 1990 he presented his work at Marlborough Gallery.
His style has gone through various phases, though always maintaining a bedrock of expressionistic figuration. Thematically speaking, his main references are Galician sculpture, Egyptian and Mesopotamian hieraticism, mannerist and baroque forms and
German Expressionism
a multidisciplinary movement coming from Germany in the early 20
th
century, against the backdrop of political instability that heralded the outbreak of the First World War. It reflects the bitterness, pessimism and existential angst that pervaded German art and intellectual circles of the time. It was defined by a strong individuality and critical content. Emerging as a reaction against Impressionism, artists now favoured the expression of their feelings rather than an objective description of reality, which they deformed in order to better communicate with the beholder. In Germany, it developed around two groups of artists: Die Brücke (The Bridge) in Dresden, and Der Blaue Reiter (The Blue Rider) in Munich.
. He creates his work with all sorts of materials including concrete, stone, polyester, vinyl, but above all wood, making the most of its chromatic singularities.
In 2000, the IVAM in Valencia organised a retrospective show of his work, exhibiting a selection of sculptures overviewing his creative evolution from 1987 to that moment.