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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/lint-pieter-van/
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autor
14362
Pieter van Lint
(Antwerp, 1609 – 1690)
Author's artworks
17
th
Century Flemish
Painter of mythological scenes, religious works and murals.
Also known as Pierre Lint, he was a disciple of Artus Wolffort, and in 1633 he appears registered as a master in the Guild of Saint Luke in Antwerp. In that same year he travelled to Rome, remaining there until 1640 working for Cardinal Domenico Ginnasio, Bishop of Ostia, in the city’s cathedral, and for the chapel of the Cibo family in Santa Maria del Popolo in Rome, where he created a suite of works on the legend of the True Cross. There his work became deeply influenced by the style of Bolognese artists, especially Guercino.
On his return to Antwerp he entered the service of King Christian IV of Denmark. At that time he created small-scale religious works highly influenced by Italian
Classicism
A movement in art, literature and music which advocated a return to the harmony, simplicity and balance that defined Classical Antiquity. In the arts, it emerged with the Renaissance, when it became the new aesthetic canon in the quest for perfection, and was the prevailing movement in the eighteenth and nineteenth centuries. With the appearance of
Romanticism
A cultural movement born in Germany and the United Kingdom in the late-eighteenth century, as a reaction against the Enlightenment. It extolled the expression of feelings and the search for personal freedom. It spread throughout Europe, with different manifestations depending on the country. In painting, Romanticism reached its peak in France between 1820 and 1850, replacing Neoclassicism. It main purpose was to oppose the strictures of academic painting, departing from the Classicist tradition grounded in a set of strict rules. Instead it advocated a more subjective and original style of painting. Its main formal features are the use of marked contrasts of light, the preponderance of colour over drawing and the use of impetuous and spontaneous brushwork to increase the dramatic effect. Its greatest exponents were: Caspar David Friedrich (1774-1840) in Germany; John Constable (1776-1837) and J. M. W. Turner (1775-1851) in the UK; and Théodore Géricault (1791-1824) and Eugène Delacroix (1798-1863) in France.
, it entered into decline until it gradually lost all traction with the advent of the early avant-gardes in the twentieth century.
, conceived for the Spanish market and for Spain’s colonies in America, through his dealer Matthijs Musson.