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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/manuel-ballester-jose/
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autor
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Jose Manuel Ballester
(Madrid, 1960)
Author's artworks
20th-21st century Spanish
A painter and photographer, José Manuel Ballester recognised his artistic vocation from an early age. The son of a music teacher, since his beginnings his practice has always been based on a combination of a serious working method and artistic inspiration.
He studied at the School of Fine Art at Universidad Complutense in Madrid, graduating with a BA in 1984. In this period he was particularly attracted to the painting and technique of Flemish and Italian artists from the fifteenth to eighteenth century. This interest led to the experimentation with various techniques he undertook in the different disciplines he has worked with throughout his career: painting,
etching
an indirect techniqueof chalcographic engraving. The metal plate is first covered with a protective varnish, on which the engraver draws with an etching needle, ensuring that it touches the surface of the metal plate without producing any furrows. Once the drawing has been made on the varnished surface, the plate is submerged in a diluted acid bath which acts on the exposed metal parts from which the varnish has been removed by the etching needle. Once the lines have been etched, and the plate is taken out of the acid and the remaining varnish removed using a soft cloth and alcohol, it is ready to be inked up and pressed.
, photography and video.
That being said, photography is the core discipline in Ballester’s production, characterized by a meticulous study of light and the use of large formats.
Turning to the main themes of his practice, while at the outset he worked largely with figuration, human presence gradually became less and less as it gave way to architecture and landscape. Buildings under construction and uninhabited landscapes are recurring images in his works.
In 1999 the Madrid-born artist won the National
etching
an indirect techniqueof chalcographic engraving. The metal plate is first covered with a protective varnish, on which the engraver draws with an etching needle, ensuring that it touches the surface of the metal plate without producing any furrows. Once the drawing has been made on the varnished surface, the plate is submerged in a diluted acid bath which acts on the exposed metal parts from which the varnish has been removed by the etching needle. Once the lines have been etched, and the plate is taken out of the acid and the remaining varnish removed using a soft cloth and alcohol, it is ready to be inked up and pressed.
Award, in 2006 the Goya Prize for Painting and in 2008 the Photography Prize of the Region of Madrid. His work in photography was also distinguished in 2010 with Spain’s National Photography Prize.
Ballester has work in major collections in Spain and worldwide: Museo Centro de Arte Reina Sofía, Institut Valencià d’Art Modern, Museo Patio Herreriano, Museo Guggenheim Bilbao, Marugame Hirai Museum, Japan, Pérez Art Museum Miami and 21 Century Museum, Lexington, Kentucky.