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https://www.coleccionbbva.com/es/autor/manuel-losada/
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Manuel Losada
(Bilbao, 1865 - 1949)
Author's artworks
19th-20th century. Spanish
Born on 16 October 1865 to a well-off family, Losada spent his childhood and youth in a period marked by major historical events and transformations in the city of Bilbao that would influence his art throughout his whole career.
In 1874, the Losada family managed to leave Bilbao for Santander just before the siege of the city and the blockage of the estuary. In 1876, after the third and final Carlist War was over, the family moved back to Bilbao and Manuel returned to school.
In 1881 Manuel Losada was sent to Bayonne to perfect his French and it was there he began to develop his artistic skills. One year later he returned to Bilbao to start studying Commerce and then in 1883 he began studying art at the studio of the painter Antonio Lecuona (1831-1907). He became acquainted with the local art scene and with cultural figures including Miguel de Unamuno and Paco Durrio (1868-1940). It was at that time when he took the decision to dedicate himself exclusively to art.
In 1887 he entered the National Exposition of Fine Arts in Madrid for the first time, without obtaining any mention, after which he never showed any further interest in this kind of official event. In that same year he was granted a scholarship by Diputación de Vizcaya to study abroad, and he choose Paris as his destination. He remained there until 1892 and gained a first-hand insight into the work of Impressionists and Post-Impressionists, which would exert a key influence in shaping his later style.
In 1889 he returned to Bilbao, although the following year he went back to Paris again with another grant, this time with Anselmo Guinea (1855-1906). There he met many important Basque artists based in the city, including Ignacio Zuloaga (1870-1945).
In 1893 he left Paris for good and settled in Bilbao, where he opened his own studio and played a pivotal role in promoting the city’s artistic life. He organised the 1st Modern Art Exhibition, held in 1900, in which he managed to include works by outstanding Parisian painters, like Paul Gauguin (1848-1903). The event, that was repeated until 1910, exerted a key influence on the evolution of Basque painting and marked the introduction of modernism in Spain.
In 1903 the artist took part in
Salon des Indépendants
An annual exhibition organised in Paris by the Société des Artistes Indépendants, a society formed in 1884 with the goal of showing works by all artists who claimed the independence of their art from academicism. It was created to respond to the rigid traditionalism of the Salon organised by the
Académie des Beaux-Arts
and was presented with the slogan
sans jury ni récompense
(without jury nor reward). Its founders included Odilon Redon (1840-1916), Georges Seurat (1859-1891) and Paul Signac (1863-1935). During the three decades following its inception, its annual exhibitions set the trends in modern art.
in Paris, where his work was praised by Edgar Degas (1834-1917). The growing importance of his career led to his appointment as a member of the San Fernando Royal Academy of Fine Arts in December 1908.
Losada played a critical role in founding the
Association of Basque Artists
the Association of Basque Artists was a select group of multidisciplinary artists from the Basque Country in the period prior to the Spanish Civil War. Founded on 29 October 1911, its mandate was to promote Basque art through exhibitions, publications, lectures and competitions. The first group exhibition was held in 1912 at the headquarters of Sociedad Filarmónica in Bilbao. Members of the association included, among others, Aurelio Arteta, Darío de Regoyos, Francisco Iturrino, Anselmo Guinea and Ignacio Zuloaga.
in 1911 and, two years later, in 1913, he was appointed director of the Museum of Fine Arts of Bilbao.
This was to prove a hectic period with many exhibitions, with a particular mention for the 1919 Bilbao International Exposition of Painting and Sculpture and the
Salon d’Automne
An annual exhibition first held in Paris in 1903, the Autumn Salon was created under the initiative of the Belgian architect and art critic Frantz Jourdain (1847-1935), with the collaboration of artists including, among others, Henri Matisse (1869-1954) and Pierre Bonnard (1867-1947). It had two main goals, namely, to support and promote young artists, and to showcase the trends of the time to the wider public. The choice of autumn to hold the show was strategic as it allowed artists to present paintings created
en plein air
during the summer, and also, and very especially, because it established a difference with the two major official salons which took place in spring. One of the earliest successes was the exhibition of the 1905 Autumn Salon, that saw the birth of
Fauvism
An art movement which developed in Paris in the early 1900s. It took its name from the word used by the critics—
fauves,
wild beasts—to define a group of artists who exhibited their works at the 1905 Salon d'Automne. By simplifying forms and using bold colours, they attempted to create highly balanced and serene works, a goal totally removed from the intention to cause outrage usually attributed to them. For many of its members Fauvism was an intermediary step in the development of their respective personal styles, as exemplified to perfection by the painter Henri Matisse (1869-1954).
.
in Paris in 1923 and 1925.
In 1933 Losada was appointed director of the Museum of Modern Art of Bilbao, a post he combined with that of director of the Museum of Fine Arts until a year before his death.
Also worth underscoring is the important role played by Losada when he was in charge of safeguarding the holdings of the Museum of Fine Arts of Bilbao during the Civil War, being actively involved in 1937 in the recovery of its paintings.
He died in Bilbao on 9 October 1949, at the age of 84.