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https://www.coleccionbbva.com/es/autor/matilla-marina-segundo/
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14408
Segundo Matilla i Marina
(Madrid, 1862 – Teià, Barcelona, 1937)
Author's artworks
19th-20th Century Spanish
Matilla i Marina was born in Madrid in 1862, although his family moved to Barcelona when he was a child. There he started studying art at the Lonja School, where he was a pupil of Antonio Caba (1838-1907).
In the second half of the nineteenth century he travelled to Italy and Paris, and started taking part in major art events, like the 1897
Salon de Paris
An official art exhibition organised by the Académie des Beaux-Arts in Paris and held in the French capital from 1725 onwards. The show set the patterns of the academic art of the time. In 1737 the exhibition was opened to the public and was held, at first, annually, and then biennially, in odd-numbered years. In 1748 a jury of awarded artists was introduced. In 1849 medals for the winners were presented for the first time. In 1881 the French government withdrew its official patronage of the Salon, and a group of artists founded the Société des Artistes Français to take over the running of the show. Until the late-nineteenth century it was one of the top international art events and absolutely essential for any artist who wished to earn prestige. With the passing of time, the Salon became more conservative and academicist, and unreceptive to many of the emerging movements, like Impressionism. More and more works were rejected or hung in unfavourable places. This situation upset many artists and critics, leading eventually to the creation of less strict alternative salons.
or the
National Exhibition of Fine Arts
An official annual art exhibition held in Madrid since the mid-nineteenth century which set the guidelines for Spanish academic art at the time. It was divided into five sections: painting, sculpture, engraving, architecture and decorative arts. Painting was the core section around which the whole exhibition revolved. A number of distinctions were awarded: first, second and third class medals and an honorary medal or prize, sometimes called a mention of honour. The show was one of Spain’s most important national awards, and was viewed as a key event for all artists aspiring to achieve prestige in their careers. Due to its conservative and academicist nature, it showed little inclination to accept many of the emerging movements and the most innovative works were often rejected or displayed in secondary spaces (which soon came to be known as "crime rooms").
in the same year, where he obtained an Honorary Medal.
Throughout his career Matilla earned a name as a portraitist, although he specialised mostly in the painting of landscapes and seascapes, very much in tune with the style of Eliseu Meifrèn (1857-1940), with whom he went on several landscape painting expeditions. This genre won him considerable fame and a regular clientele thanks to the high demand for this kind of painting at the time.
In the early 1900s he had several solo exhibitions, including, among others, those held at Sala Parés in 1914 and Salón Vilches in Madrid in 1915, where all the works on display were sold. These two shows alone led to the consolidation of his reputation as one of the most celebrated Catalan painters of the time.
The painter died in Teià, Barcelona, in 1937 and five years later, Galerías Pallarés dedicated a posthumous exhibition to his life’s work.