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https://www.coleccionbbva.com/es/autor/montes-iturrioz-gaspar/
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14566
Gaspar Montes Iturrioz
(Irún, 1901- 1998)
Author's artworks
20th Century Spanish
Gaspar Montes Iturrioz was one of the main Basque landscape painters of the first half of the twentieth century. The artist is also recognised for his role as a teacher and his work with glass, posters and illustrations.
Born in Irun on 27 February 1901, from a very early age Montes Iturrioz displayed great talent for illustration. At the age of eleven he enrolled at the town’s Municipal Drawing Academy and began his training under the sculptor Julio Echeandía (1872-1943). He would later meet the painter José Salís Camino (1863-1927), who had studied with Carlos de Haes (1826-1898) and, apart from furnishing him with technical knowledge, he managed to get him a scholarship to study in Madrid. In 1918 the young artist moved to the Spanish capital to continue his education at the studios of José María López Mezquita (1883-1954) and Fernando Álvarez de Sotomayor (1875-1960). In Madrid Montes Iturrioz frequented the intellectual circles of that time which included, among others, the writers Valle-Inclán, Unamuno and Baroja. He also took part in the activities held at the Ateneo and was an assiduous visitor to the Prado. He also met Daniel Vázquez Díaz (1882-1969), who would exert a major influence on his work. Vázquez Díaz’s visits to Fuenterrabia strengthened the friendship between the two.
Encouraged by Ramiro Arrúe (1892-1971), and aided by winning the Exhibition of New Painters of Gipuzkoa, in 1924 he spent a brief sojourn in Paris to attend
Académie Colarossi
This art school in Paris, also known as
Académie de la Grande Chaumière
, was founded in 1870 by the Italian sculptor Filippo Colarossi (1841-1906). It achieved fame as an alternative to the official teachings imparted at the
École des Beaux-Arts
in Paris and remained active until the 1930s. This free and progressive school boasted such outstanding pupils as Paul Gauguin (1848-1903), Amedeo Modigliani (1884-1920), George-Henri Carré (1878-1945), Hermen Anglada Camarasa (1871-1959) and the sculptor Camille Claudel (1864-1943).
. There he coincided with other Spanish artists living in the French capital, like Pancho Cossío (1894-1970) and José María Ucelay (1903-1979). He also befriended French avant-garde artists who opened up for him a new perspective on painting, much freer and less academic than the one he had practiced in Madrid. Similarly, influenced by Paul Cézanne (1839-1906) and Paul Gauguin (1848-1903), in Paris he embraced the postulates of Post-Impressionism.
Upon his return to Irun, fascinated by the nature and environs of the Basque Country, the painter focused on landscapes and became the main figure of the so-called
School of Bidasoa
created between 1895 and 1919, this school, which takes its name from the river Bidasoa which runs through the Basque Country, was made up by a group of artists working in the open air in that geographic region. Influenced by the spirit of the
Barbizon School
Active from 1830 to 1870, this group of French painters led by Théodore Rousseau (1812-1867) gathered in the village of Barbizon near the forest of Fontainebleau from which it would take its name. The group came about as a rejoinder to the prevailing social and art system in Paris ruled by neo-classical criteria. The members of the Barbizon School practiced a naturalistic brand of painting, largely predicated on the representation of landscape. They began to make
au naturel
sketches with the idea of engaging in direct research into the effects of light, which was the starting point of
en plain air
or outdoors painting. Their approach to landscape was a major advance in painting at the time and could be seen as the immediate precursor of Impressionism.
, it remained active until the death of Gaspar Montes Iturrioz.
. In 1926 Montes Iturrioz embarked on a hectic exhibition activity, starting with a show at the Ateneo in Madrid. Two years later he settled temporarily in Aranjuez, which served as a base to travel throughout Spain. It was then when he met Santiago Rusiñol (1861-1931) and took part at the 1930 Autumn Salon and in several National Exhibitions held in Madrid.
In 1932 he eventually settled in his hometown, where he combined painting and teaching. In 1936 he founded Academia de Beraun, attended, among other would-be artists, by Menchu Gal (1919-2008). In 1942 he took up a post as a teacher at the Municipal Drawing Academy, where he would end up as director. Montes Iturrioz played an instrumental role in art teaching to the point that he became one of the masters of Basque painting.