View Menu
Colección
Favoritos
eng
esp
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
https://www.coleccionbbva.com/es/autor/ortiz-emilio/
Volver
autor
25775
Emilio Ortiz
(Mexico City, 1936 – 1988)
Author's artworks
20
th
Century Mexican
A music lover, accomplished engraver, and expert in
etching
an indirect techniqueof chalcographic engraving. The metal plate is first covered with a protective varnish, on which the engraver draws with an etching needle, ensuring that it touches the surface of the metal plate without producing any furrows. Once the drawing has been made on the varnished surface, the plate is submerged in a diluted acid bath which acts on the exposed metal parts from which the varnish has been removed by the etching needle. Once the lines have been etched, and the plate is taken out of the acid and the remaining varnish removed using a soft cloth and alcohol, it is ready to be inked up and pressed.
well conversant in mathematical quandaries, Emilio Ortiz worked in oils with the finesse of ancient engravers. In answer to a question from the art critic Raquel Tibol, he said that “the little artistic training I had was focused on graphic arts and carried out mostly at the studio of Silva Santamaría. I believe that I learnt the most important things by myself, simply drawing.” In that studio located in La Ciudadela he was accompanied by Francisco Toledo (1940-2019). He would later perfect his printing technique in long sojourns in Paris, London and the USA thanks to grants and scholarships.
Ortiz belonged to a generation of artists that also included Francisco Toledo (1940-2019), Roger von Gunten (1933), Arnold Belkin (1930-1992) and Alberto Gironella (1929-1999), promoted by independent galleries interested in the
Breakaway Generation
group of Mexican creators that in the fifties rebelled against the artistic movement of the moment. They proposed a new abstract lecture of reality, carrying out pieces whose style was completely the opposite of Muralism. Mauel Felguérez (1928-2020) was an important painter under this collective.
.
With a tendency towards self-absorption and reclusiveness, Emilio Ortiz never pursued commercial success, despite which he garnered widespread recognition in galleries and museums in Mexico and abroad. He committed suicide in 1988.