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https://www.coleccionbbva.com/es/autor/patino-anton/
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14526
Antón Patiño
(Monforte de Lemos, Lugo, 1957)
Author's artworks
20th-21st Century Spanish
A nephew of the painter Raimundo Patiño (1936-1985), Antón trained at the School of Fine Arts of Madrid and joined the Atlántica group whose mandate was to renew Galician art. Other members included his wife Menchu Lamas (1954). In 1975 and 1979 he received grants from the Pontevedra Town Council and in 1981 from the Spanish Ministry of Culture.
His output is defined by the intensity of his colours and its solid intellectual underpinning, with a restrained and thoroughly studied palette and a special focus on texture, revealing his interest in
Informalism
Term coined by the French art critic Michel Tapié (under the name of art informel) to define the art movement that covers a whole range of abstract and gestural trends that emerged in Europe in the 1940s in parallel with the development of
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
in America. The movement is defined by a non-figurative language that lends a very significant role to the use of materials. The defining moment for Informalismo in Spain was in the 1950s, with a generation of artists whose languages embraced both European Art Informel and American
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
. These included, among others, Antoni Tàpies (1923-2012), Josep Guinovart (1927-2007), August Puig (1929-1999), Antonio Saura (1930-1998), Manolo Millares (1926-1972) and Rafael Canogar (1935).
. Patiño also makes repeated use of what he calls “primordial emblems” or “root signs” such as the wing alluding to the myth of Icarus, chairs, a cyclist, amphorae or fragments of nets. He has exhibited his work in solo exhibitions in many Spanish cities, and also in Amsterdam, New York, Paris, Zurich, Stuttgart, Bordeaux and Hamburg.
Patiño combines his work as a painter with his activity as a writer and theorist.