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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/rodriguez-caballero-david/
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autor
21238
David Rodríguez Caballero
(Dueñas, Palencia, 1970)
Author's artworks
20
th
-21
st
Century, Spanish
After graduating with a BA in Fine Art from UPV (University of the Basque Country) with majors in Painting and Conservation, Rodriguez Caballero since went on to build an international reputation as a sculptor.
Following a period working in cultural management, in 1998 he decided to focus exclusively on his art practice. He then moved to New York, where he spent two years before returning to Madrid in 2001. That time proved to be a true turning point for Rodriguez Caballero, not only for his decision to become a professional artist, but also because it was when he embraced experimentation with new materials, a process that led him toward three-dimensional work. Since 2011 he lives between New York and Madrid, with studios in both cities.
His polished style evolved from
Lyrical Abstraction
A tendency that emerged within abstract painting in 1945 in France, as a reaction against the excessive coldness of
Geometric Abstraction
A term introduced in the 1920s to name a kind of abstract art based on scientific and mathematical principles. The main goal was to eliminate all subjectivity in favour of art based on the essence of geometric forms. Its main champions were Wassily Kandinsky (1866-1944), Kazimir Malevich (1879-1935) and Piet Mondrian (1872-1944).
and attempting to give more room to the expression of the artist’s emotions. The movement favoured colour over form through techniques like watercolour and oil paint, which would be the most widely used by its practitioners. Major sources of inspiration were the painting of Vassily Kandinsky (1866-1944) and automatism in Surrealist painting. Key names within the movement are Pierre Soulages (1919), Georges Mathieu (1921-2012) and Hans Hartung (1904-1989).
to
Geometric Abstraction
A term introduced in the 1920s to name a kind of abstract art based on scientific and mathematical principles. The main goal was to eliminate all subjectivity in favour of art based on the essence of geometric forms. Its main champions were Wassily Kandinsky (1866-1944), Kazimir Malevich (1879-1935) and Piet Mondrian (1872-1944).
, with a notable presence of organic elements. He works the raw material—mostly metal, aluminium, brass, copper and steel— folding, curving and polishing it with great dexterity and the utmost technical perfection. Light also plays a major role in his creations and he pays particular attention to refractions of light as a means of instilling a sense of volume into his works. As the artist once declared, “when mixed with metal, light is transformed into matter.”
He draws his influences from extraordinarily diverse sources, ranging from Japanese origami to the architecture of big cities like New York and Tokyo, not forgetting African masks and indigenous cultures.
Rodriguez Caballero’s work has been exhibited in many shows in Spain and worldwide and can be regularly seen in the world’s most important art fairs. His works are also in many international public and private collections, including Fundación Coca-Cola; Museo Patio Herreriano, Valladolid; ISE Cultural Foundation, New York/Tokyo; Palazzo dei Papi, Viterbo and Volksbank Foundation, Paderborn.
Particularly worth underscoring is the first major survey of his work at Museo de Arte Contemporáneo Esteban Vicente, in Segovia, where he exhibited a select group of works including sculptures, vinyls, collages and other pieces made in various materials, reflecting the breadth of the artist’s practice.