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https://www.coleccionbbva.com/es/autor/schlosser-adolf/
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Adolf Schlosser
(Leitersdorf, Austria, 1939 – Bustarviejo, Madrid, 2004)
Author's artworks
20
th
Century Austrian
Widely viewed as one of the maximum exponents of Spanish sculpture, Schlosser developed his practice from a highly individualistic position, removed from the prevailing movements of the time.
The artist studied sculpture at the School of Arts and Crafts of Graz and painting at the Academy of Fine Arts of Vienna. In 1961 he moved to Iceland and in 1967 to Spain, where he lived first in Madrid and later in Bustarviejo, where he remained for the rest of his life.
Adolfo Schlosser was a multifaceted artist who cultivated many forms of expression without associating himself with any particular movement, making him hard to classify. Notwithstanding, there have always been attempts to connect him to Kinetic art,
Conceptual Art
Conceptual Art emerged as a movement in the 1960s in the United States, with Marcel Duchamp (1887-1968) often regarded as a key forerunner or influence. Chief among the movement’s artists are Sol LeWitt (1928-2007), Joseph Kosuth (1945), Joseph Beuys (1921-1986) and Yoko Ono (1933). It came into being in opposition to formalism, to define a number of different practices in which the underlying idea and process behind the artwork were more important than its materialisation, meaning that conceptual artworks may take on the most varied guises.
,
Minimal Art
Term which refers to the movement that emerged in New York in the 1960s and which would then develop throughout the 1970s. In reaction against
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
, the movement proposed a paring down of abstract forms, a quest for utmost simplicity, very precise finishes, and a perfecting of pure geometric figures. It also championed a reduction of the artist’s input and a greater involvement of spectators, with the intention of triggering an intellectual stimulus so that they would take on a greater role in the actual configuration of the artwork itself. Particularly outstanding names in this movement are Dan Flavin (1933-1996), Sol LeWitt (1928-2007), Frank Stella (1936), Donald Judd (1928-1994) and Robert Morris (1931-2018).
, and even to
Land art
Land Art is part of the larger
Conceptual Art
Conceptual Art emerged as a movement in the 1960s in the United States, with Marcel Duchamp (1887-1968) often regarded as a key forerunner or influence. Chief among the movement’s artists are Sol LeWitt (1928-2007), Joseph Kosuth (1945), Joseph Beuys (1921-1986) and Yoko Ono (1933). It came into being in opposition to formalism, to define a number of different practices in which the underlying idea and process behind the artwork were more important than its materialisation, meaning that conceptual artworks may take on the most varied guises.
movement which emerged in the 1960s. In Land Art artists generally intervene directly in the landscape, with their works taking the form of installations in open spaces made with both organic materials and found objects, readymades and sculptures. These interventions in the landscape were often temporary, with their natural degradation playing a part in the overall experiential process. Christo (1935-2020) and Jeanne-Claude (1935-2009), Nancy Holt (1938-2014) and Robert Smithson (1938-1973) are some of the most outstanding artists in this movement. Land Art developed in Spain in the 1970s, pioneered by Grup de Treball, José María Yturralde (1942), Perejaume (1957), Nacho Criado (1943-2010), Adolf Schlosser (1939-2004), Eva Lootz (1940) and Agustín Ibarrola (1930).
given that his work always bears a strong association with his natural environs.
He took his materials directly from nature, such as clay, wood or straw, and used them to create manifold forms including spirals and arcs. In 1993 his work began to revolve around the notion of the circle as a concept closely related to landscape. Aware of the importance of incorporating order into the environment he also intervened in the natural landscape.
His first solo exhibitions took place in 1973 in Ibiza and Madrid. His invaluable contribution to art was recognised in 1991 with Spain’s National Visual Arts Prize.