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https://www.coleccionbbva.com/es/autor/sevilla-soledad/
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autor
14528
Soledad Sevilla
(Valencia, 1944)
Author's artworks
20th-21st Century Spanish
This painter from Valencia enrolled at the School of Fine Arts in Barcelona in 1960, after which she moved to Madrid, where she furthered her studies and took part in the Seminar on the Automatic Generation of Plastic Forms at the Computer Centre at Universidad Complutense in Madrid (1969-1971). During this formative period, she also received scholarships from Fundación Juan March and Harvard University.
From the eighties onwards her painting combined
Informalism
Term coined by the French art critic Michel Tapié (under the name of art informel) to define the art movement that covers a whole range of abstract and gestural trends that emerged in Europe in the 1940s in parallel with the development of
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
in America. The movement is defined by a non-figurative language that lends a very significant role to the use of materials. The defining moment for Informalismo in Spain was in the 1950s, with a generation of artists whose languages embraced both European Art Informel and American
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
. These included, among others, Antoni Tàpies (1923-2012), Josep Guinovart (1927-2007), August Puig (1929-1999), Antonio Saura (1930-1998), Manolo Millares (1926-1972) and Rafael Canogar (1935).
and
Constructivism
an art and architecture movement born in 1914 in Russia which became known particularly after the October Revolution. The movement defends an active engagement of the artwork with its surrounding space. The term was first used by Kazimir Malevich (1878-1935) in 1917 to contemptuously describe a work by Aleksander Rodchenko (1891-1956) and it did not have a positive connotation until the
Realist Manifesto
from 1920.
to achieve a personal brand of
Geometric Abstraction
A term introduced in the 1920s to name a kind of abstract art based on scientific and mathematical principles. The main goal was to eliminate all subjectivity in favour of art based on the essence of geometric forms. Its main champions were Wassily Kandinsky (1866-1944), Kazimir Malevich (1879-1935) and Piet Mondrian (1872-1944).
that, rather that rational and cold as is usually associated with this style, was actually poetical and spiritual. In her investigation into the limits of painting, always in search of its essence, she often works in series. In them, she recreates distinct vibrations of light, thus managing to produce spaces of mystical experience.
As a complementary strategy, she also explores the three dimensions through the medium of installation in which space, light, colour and time as the core concerns.
Her work is to be found in many major collections and has been shown in numerous solo and group exhibitions in Spain and around the world. These include site-specific installations like the one for Castillo de Vélez-Blanco in Almería, the Palacio de Cristal in the Retiro Park in Madrid (organized by Museo Nacional Centro de Arte Reina Sofía) and the National Sculpture Museum in Valladolid.
In addition, she has received several important awards, such as the National Visual Arts Prize in 1993, the Gold Medal of Merit in Fine Art in 2007, the Arte y Mecenazgo Award in 2014 and the Fine Art's Velázquez Award in 2020.