Nacho Criado

(Mengibar, Jaén, 1943 - Madrid, 2010)

La voz que clama en el desierto no es la tuya ni es la mía (The Voice Crying in the Wilderness Is neither Yours nor Mine)

1995

mixed media (metal, glass, wood and earth)

250 x 224.2 x 34 cm

Inv. no. 4078

BBVA Collection Spain



The silence, water and sand, emptiness and absence of this “landscape”, somewhere between sculpture and installation, evoke the desert mentioned in the title. This work brings together many of the signature elements of Nacho Criado’s personal creative world. Considered one of key players of Spanish
, not long before he died Criado was awarded the Gold Medal for Merit in Fine Arts (2008) and the National Visual Arts Award in recognition of his life’s work.

His practice focused on how an object evolves in space and on the behaviour of matter over time. Though generally associated with
, his use of poor, waste materials also connected him to
. In his early steps as an artist Criado showed a profound respect for great masters such as Marcel Duchamp (1887-1968) and Mark Rothko (1903-1970), to whom he paid homage in installations created in the 1970s.

Three of his series—LSD (Light Spirit Dream), Paisajes endémicos and No es la voz que clama en el desierto—converge in this piece. Here, Criado engages with a poetics of waste through the use of broken fragments. A sheet of wood rests on two buckets, filled respectively with sand and fragments of glass, an analogy of elements and testimony of ruin. The sand contained in the buckets speaks to the
projects he undertook in the 1970s; the glass, a recurrent material across all his work, refers to water that time has crystallized; the metal brackets and the transparent shelves, metaphoric repositories of knowledge in the artist’s universe, are actually unable to fulfil their function of holding anything up as they are simply adhered to the surface.

The overall effect is to create a space of stillness and reflection in which the voice, the human being, cries out in the desert of emptiness, solitude and nothingness it inhabits.