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Eliseu Meifrèn
(Barcelona, 1859 – 1940)
Marina de Cadaqués (Cumulus)
n.d.
oil on cardboard
70.8 x 71.1 cm
Inv. no. 131
BBVA Collection Spain
Meifrèn is an obvious exponent of the symbiosis of tradition and modernism —tradition in terms of his style of painting, and also his tireless depiction of landscapes, almost as if it were handcrafted reproduction; and modernism because of his connection with the avant-garde movements of his time.
He was a very prolific artist, was fond of seascapes, a theme quite recurrent in his work and which won him a loyal following. Always in love with the Mediterranean, he was a pioneer in exploring the beauty of Mallorca and the Costa Brava. One of his favourite places to indulge his penchant was Cadaqués, where he worked from 1886 until very late in life. He purchased a home in Port Lligat, which allowed him to paint countless views of the town and its surroundings, all of them
plein-air painting
The French term
plein air
is used for painting executed in the open air with the intention of representing and capturing the atmosphere as realistically and immediately as possible. It brought about a revolution in landscape painting in the mid-nineteenth century, when artists decided to go outdoors to make sketches au naturel, underscoring the importance of observing nature directly. The members of the Barbizon School are widely viewed as the first proponents of this type of painting, and the French Impressionists as its main champions. It reached its peak in 1870 thanks to the availability of lighter materials, like paint tubes for oil painting, or the invention of the field easel, thus making it easier to paint outside the studio.
, and dominated by the sea.
This work is a good example of his interest on this thematic, that enables him to analyse the changes in light, skilfully depicting the atmospheric effects. It also speaks of his mastery in painting techniques, with an agile, energetic brushwork which provides great luminosity to the overall composition. Although he usually painted from nature, in some instances he reproduced certain scheme devices that he was particularly interested in, as may be the case here, because we know of a replica he made with few variations.
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