Albert Ráfols Casamada

(Barcelona, 1923 – 2009)

Untitled

1978

print (etching and aquatint) on paper (50/60)

57.4 x 50.6 cm

Inv. no. P04177

BBVA Collection Spain


Ràfols-Casamada, a painter, draughtsman and art teacher, decided to abandon his architectural studies to devote himself to painting. In the 1950s, with the aid of a scholarship, he went to Paris, where he made a close study of the great avant-garde artists of the second half of the twentieth century. Starting from a post-Cubist figurative style, he moved towards Informalismo and Neo-Dada, and then in the eighties he adopted a form of abstraction derived from American
, especially that of Mark Rothko (1903-1970). It is very difficult to sum up his work, since it reflects an idea of art as an expressive need, and this makes him one of the pioneering painters and leading figures of
in Spain.
 
Ràfols-Casamada’stalent as an engraving artist is patent in his ability to assimilate various different languages, for instance Joan Miró’s free use of colour, Sempere’s kinetic compositions and the dichotomy between black and white in Eduardo Chillida’s graphic work.
 
His prints capture a sense of simplicity, experimentation and chromatic sensibility, as can be seen in the work at hand with its predominant blue, and in a search for harmony between fiction and reality.