Pedro Friedeberg

(Florence, 1936)

Frutería Canina (Canine Fruit Store)

1969

lacquer on fibracel

50 x 60 cm

Inv. no. CAB031

BBVA Collection Mexico



Friedeberg produced an inexhaustible sequence of paintings and graphic works, grounded in skilful drawing based on apparently moving geometric patterns which the artist has termed as “delusional architectures,”. These pieces largely consist of outlandish and absurd constructions, full of disquieting labyrinths, stairs leading nowhere and miscellanies springing from an imagination nurtured on the superfluous and the kitsch.

The composition, symmetric to hallucinatory extremes, maliciously destabilises the gaze: it instigates patterns that expand the space ad infinitum, as if reflected in thousands of mirrors. His neurotic rhythms recall the vertigo of Giovanni Battista Piranesi (1720-1778) and M. C. Escher (1898-1972), combined with the anamorphic design formulas of
. The Egyptian, Gothic, Baroque, Victorian and pre-Hispanic ornamentation endorses an obsessive craze for adornment.

Friedeberg is extremely meticulous in creating perspectives with several vanishing points, although there is a playful intention behind his games with chequered black and white patterns. The delirious oeuvre of Pedro Friedeberg, his celebrated and profusely copied chairs and tables with hands and feet, are incredibly popular among the public and continue influencing many Mexican contemporary designers.