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https://www.coleccionbbva.com/es/pintura/cab031-fruteria-canaria-pedro-friedeberg/
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pintura
25770
25769
https://www.coleccionbbva.com/wp-content/uploads/2021/09/CAB031.jpg
Pedro Friedeberg
(Florence, 1936)
Frutería Canina (Canine Fruit Store)
1969
lacquer on fibracel
50 x 60 cm
Inv. no. CAB031
BBVA Collection Mexico
Friedeberg produced an inexhaustible sequence of paintings and graphic works, grounded in skilful drawing based on apparently moving geometric patterns which the artist has termed as “delusional architectures,”. These pieces largely consist of outlandish and absurd constructions, full of disquieting labyrinths, stairs leading nowhere and miscellanies springing from an imagination nurtured on the superfluous and the kitsch.
The composition, symmetric to hallucinatory extremes, maliciously destabilises the gaze: it instigates patterns that expand the space ad infinitum, as if reflected in thousands of mirrors. His neurotic rhythms recall the vertigo of Giovanni Battista Piranesi (1720-1778) and M. C. Escher (1898-1972), combined with the anamorphic design formulas of
Op Art
international art movement whose name derives from the abbreviation of the term Optical Art. The movement emerged in the late 1950s and reached its peak between 1965 and 1968. The goal of Op Art is to produce the impression of relief, depth or vibration through visual and optical effects. To achieve this end, artists explore the relationships between colour and space, with the aim of evoking the intended physical experience in the beholder. Artists were influenced by, among others, theories of pure visibility and the theory and philosophy of perception. Although it became popular all over the world, it was in Europe where the movement had its greater development, with figures like Victor Vasarely (1908-1997) and also Carlos Cruz-Diez (1923-2019) and Jesús Rafael Soto (1923-2005); although Venezuelans by birth, these last two artists had settled in Paris in the 1950s and belonged to the circle who gathered around Galerie Denise René. In Spain, one of the main representatives of Op Art was the Valencian artist Eusebio Sempere (1923-1985).
. The Egyptian, Gothic, Baroque, Victorian and pre-Hispanic ornamentation endorses an obsessive craze for adornment.
Friedeberg is extremely meticulous in creating perspectives with several vanishing points, although there is a playful intention behind his games with chequered black and white patterns. The delirious oeuvre of Pedro Friedeberg, his celebrated and profusely copied chairs and tables with hands and feet, are incredibly popular among the public and continue influencing many Mexican contemporary designers.
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