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https://www.coleccionbbva.com/wp-content/uploads/2017/07/P01288.jpg
Gonzalo Chillida Juantegui
(San Sebastian, 1926 – 2008)
Marina
1981
oil on canvas
100.3 x 100 cm
Inv. no. P01288
BBVA Collection Spain
This elegant, understated painting by Gonzalo Chillida represents a view of the sea and the sky.
The younger brother of the celebrated sculptor Eduardo Chillida, in his earlier paintings Gonzalo adopted a realistic and naturalistic approach, clearly influenced by
Cubism
A term coined by the French critic Louis Vauxcelles (1870-1943) to designate the art movement that appeared in France in 1907 thanks to Pablo Picasso (1881-1973) and Georges Braque (1882-1963), which brought about a definitive break with traditional painting. Widely viewed as the first avant-garde movement of the twentieth century, its main characteristic is the representation of nature through the use of two-dimensional geometric forms that fragment the composition, completely ignoring perspective. This visual and conceptual innovation meant a huge revolution and played a key role in the development of twentieth-century art.
and close to the work of Pablo Palazuelo (1916-2007) and Benjamín Palencia (1894-1980). It was in the late 1960s when he began to lean towards more abstract tendencies, little by little leaving figuration behind in favour of diluted forms executed in soft chromatic nuances, skilfully straddling definition and non-definition.
It was then when he began to take an interest in seascapes, which would go on to become the core focus of his painting, with a special predilection for greyish and misty Basque landscapes. Drawing inspiration from
Romanticism
A cultural movement born in Germany and the United Kingdom in the late-eighteenth century, as a reaction against the Enlightenment. It extolled the expression of feelings and the search for personal freedom. It spread throughout Europe, with different manifestations depending on the country. In painting, Romanticism reached its peak in France between 1820 and 1850, replacing Neoclassicism. It main purpose was to oppose the strictures of academic painting, departing from the Classicist tradition grounded in a set of strict rules. Instead it advocated a more subjective and original style of painting. Its main formal features are the use of marked contrasts of light, the preponderance of colour over drawing and the use of impetuous and spontaneous brushwork to increase the dramatic effect. Its greatest exponents were: Caspar David Friedrich (1774-1840) in Germany; John Constable (1776-1837) and J. M. W. Turner (1775-1851) in the UK; and Théodore Géricault (1791-1824) and Eugène Delacroix (1798-1863) in France.
, he came close to the dense and hazy horizons painted by Caspar David Friedrich (1774-1840).
This
Seascape
from 1981 stands out for its admirable simplicity and austerity. In it, sky and sea make up an inseparable whole, divided only by the vague, barely glimpsed horizon. Gonzalo Chillida creates what could be called an “expanded landscape” which seems to have no end, forcing the gaze to go beyond the limits of the canvas.
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