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https://www.coleccionbbva.com/es/pintura/p01596-peregrinacion-a-asis/
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pintura
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14582
https://www.coleccionbbva.com/wp-content/uploads/2017/07/P01596-1.jpg
Pablo Peña
(Pravia, Asturias, 1864 - n.d.)
Pilgrimage to Assisi
1892
oil on board
31.5 x 45.6 cm
Inv. no. P01596
BBVA Collection Spain
The life and career of Pablo Peña remain virtually unknown due to the lack of documentary sources. We know that after receiving a scholarship in Madrid from the Diputación de Oviedo, he obtained another one to travel to Italy from 1886 to 1890, where he spent time in Assisi painting several works which were exhibited at the
National Exhibition of Fine Arts
An official annual art exhibition held in Madrid since the mid-nineteenth century which set the guidelines for Spanish academic art at the time. It was divided into five sections: painting, sculpture, engraving, architecture and decorative arts. Painting was the core section around which the whole exhibition revolved. A number of distinctions were awarded: first, second and third class medals and an honorary medal or prize, sometimes called a mention of honour. The show was one of Spain’s most important national awards, and was viewed as a key event for all artists aspiring to achieve prestige in their careers. Due to its conservative and academicist nature, it showed little inclination to accept many of the emerging movements and the most innovative works were often rejected or displayed in secondary spaces (which soon came to be known as "crime rooms").
in 1892.
The painting in hand depicts the pilgrimage to the Italian city of Assisi in what is known as
Cammino di Assisi
(Way of Assisi). It is a 200 kilometre route through the most important places in St Francis’s life and work which ends in the basilica devoted to the saint located within a monumental Franciscan complex.
This work shows a view of the Papal Basilica of St. Francis of Assisi and countless pilgrims in all sorts of attitudes. The salient features of this composition are the delicate pink hues of the buildings and the execution of the background. The image is similar in composition to a much sketchier one by José Benlliure (1855-1937), the Spanish painter who worked most frequently in Assisi at the time.
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